Yafeng Duan (*1973, Hebei, China) grew up in Baoding and currently resides in Berlin. In 1998, she presented her first solo exhibition at the Lianchi Museum in Boading. Since this very first debut, her journey has been marked by an absolute dedication to art. In fact, this has always been Yafeng Duan’s goal – to be an artist, humble, without the need to aspire to fame but rather to live independently through her art.
The following year, she began studying traditional ink painting at the Central Academy for Fine Arts in Beijing (CAFA), until 2001. In 2004, she moved to Alfter, in Germany, where she studied Painting at Alanus University of Arts and Social Sciences, for a year. Upon her arrival in Germany, Duan confronted a new and expansive understanding of art, initially responding with a drastic internal withdrawal and by taking a break from painting. However, after a couple of months, she gradually began to open up and adapt, producing a series of abstract gestural drawings that marked a transition to a new artistic approach, distinct from her traditional Chinese roots.
A pivotal period in her artistic career was the six years of studying Freie Kunst at Bauhaus University in Weimar, graduating in 2011, while concurrently attending Robert Lucander’s classes at the Berlin University of the Arts. Her professor, an expert in 20th-century Western art, significantly expanded her horizons. This sparked a lasting fascination with contemporary art and his influence played a crucial role in Yafeng Duan’s decision to remain in Germany.
The artist was raised by her father, Duan Xinran, a prominent figure in traditional Chinese ink painting, who played a crucial role in shaping her artistic perspective. Yafeng’s art is imbued with dualities such as light and density, thin and broad lines, floating colours and solid surfaces. This interplay gives life to abstract paintings, reminiscent of Kandinsky, establishing a dialogue between East and West. She adopts an approach that reflects the influences that have shaped the development of abstract art throughout the 20th century. Yafeng Duan’s fascination for Western art and its history is rooted in her personal artistic